Netflix Instant’s “Action & Adventure” category includes subgenres like Action Classics, Action Comedies, Action Thrillers, Comic Books and Superheroes, Spy Action & Adventure and Westerns. But the main page only features a small sampling, and it can be difficult navigating through the categories. We picked our favorites to make it just a little easier to find something to go with that big bowl of popcorn and a free evening.

Check out our full list of the 100 Best Movies on Netflix Instant or peruse the 25 Best Action & Adventure Movies on Netflix Instant below:

25. Once Upon a Time In Mexico
Robert Rodriguez’s final installment of the “Mariachi Trilogy” holds the box office record for being the most improved second sequel of all-time, grossing 122 percent more than Desperado. We can’t help but attribute much of that success to the riveting performance Depp created on-screen. In a 2003 interview with Rolling Stone Depp said of his role as Sands, “The idea behind him is there was this guy I used to know in Hollywood who on the outside was very charming—soft-spoken and almost hypnotic in the rhythm he used to speak. You knew this guy was aiming to fuck you over, but somehow you stuck around because he was just so fascinating to watch.”—Kristen Blanton

 
24. Ong-Bak: Muay Thai Warrior
After a decade-long trend toward ever more prominent wire work and special effects, Tony Jaa’s 2003 Thai star vehicle Ong Bak was a return to crazy stunts (all performed by Jaa himself) and hard-hitting action. Featuring a total lack of both wire-fu and CGI of any sort, Ong Bak is incredibly impressive to watch. The story is little more than an excuse to trek across Thailand (both Bangkok and the countryside) in a constant stream of crazy chase sequences and even crazier fights, but the film is so unashamed of what it is that you can’t help but smile and resign yourself to being blown away by some of the most impressive displays of martial arts and physicality in general to come out in the last 10 years or so.—K. Alexander Smith

 
23. The Crow
Year: 1994
Director: Alex Proyas
Spawning three more films, the goth-favorite original morphed into a cult classic, aided by its stylish cinematography, slick soundtrack and the tragedy of star Brandon Lee (the son of Bruce Lee), who died during the final days of production when he was accidentally shot by an improperly loaded stunt gun on the set.—Angela Pham

22. Highlander
Year: 1986
Director: Russell Mulcahy
A cult favorite, Highlander spawned a TV show and several even-campier sequels, but this first film is all you need to grasp the mythology. There can, after all, be only one. Christopher Lambert stars as one of Earth’s last Immortals, trained by Sean Connery and hunted by an evil rival.—Josh Jackson

 
21. Escape From Alcatraz
Clint Eastwood plays bank robber Frank Morris, who is sent to Alcatraz after already having escaped from several other prisons. Morris eventually realizes that some of the concrete in his cell can be chiseled away, so he and some of the other inmates he befriends start chipping away with sharpened spoons. The actual escape will have you looking at raincoats in a different light.—Ryan Bort

 
20. Thor
Year: 2011
Director: Kenneth Branagh
Thor is a very well-executed superhero movie, offering corny one-liners and plenty of muscle-bound heroism to whet fan appetites. Featuring characters taken from the Marvel comic universe, the film stars Oscar winners Anthony Hopkins and Natalie Portman and is directed by Kenneth Branagh (a guy more normally associated with the Great Bard than with Stan Lee). The story has warrior Thor (Chris Hemsworth) exiled by his father Odin (Hopkins) to Earth from his fantastical home of Asgard. It’s surprisingly literate and even sharp in places, while never losing its tongue-in-cheek tone.—Jonathan Hickman

 
19. Super 8
Year: 2011
Director: J.J. Abrams
Proving that star power isn’t limited to those in front of the camera, Steven Spielberg and J.J. Abrams delivered a little bit of old-school, mainstream, pop-corn, sci-fi summer fun. The film is as much a celebration of filmmaking and a coming-of-age story as it is an action alien-invasion flick. It feels like those sci-fi movies of the ‘80s (the decade of its setting). You know, the ones made by folks like Spielberg.

 
18. Ronin
Ronin boasts two impressive feats: some pretty memorable car chase scenes and the first known example of figure-skating sniper murder in film. Now that’s ice cold…hold your applause, please. Robert De Niro in a spy film is almost a fool-proof cinematic recipe; add the fact that the screenplay is pretty competent and the explosions explode pretty well, and Ronin quickly becomes a beloved example of espionage.—Darren Orf

 
17. Batman: Year One (2011)
Frank Miller’s Batman: Year One comic-book storyline of 1987 partially inspired Christopher Nolan’s Batman Begins by showing how Bruce Wayne adopted his Bat-iconography and found an unexpected ally in future commissioner Gordon. Here, Batman plays more of a supporting role to Gordon (“Breaking Bad’s” Bryan Cranston) who mounts a lonely, Serpico-style crusade against the corrupt Gotham police force. Many of the DC animated films feature superfluous violence or swear words to ensure a PG-13 rating and attract grown-up viewers, but Batman: Year One’s grim, compelling portrayal of urban rot comes by it honestly.

 
16. 13 Assassins
Year: 2011
Director: Miike
I hesitate to make any grand statements about Miike growing as an artist because he’s always shifting and most of his pictures don’t find distribution here—case in point one of his 2011 productions is the certain-to-be-ridiculous Ninja Kids!!!. But 13 Assasssins feels like the work of a more mature filmmaker and perhaps the beginning of a new road for Miike, still unrestrained in its content but more considered with what that content is saying. It’s a Miike film that for once can be recommended without caveats, boldly treading new ground but also taking stock of what’s come before and not rejecting it outright.—Sean Gandert

 
15. Mission Impossible: Ghost Protocol
Year: 2011
Director: Brad Bird
When last we left Ethan Hunt (Tom Cruise) of the Impossible Mission Force, he and his new bride were traipsing off to a car chase-free life of early retirement. But as we all know, Hollywood cops and spies are never allowed to stay retired for long. Kicking off with a thrilling opening sequence,Mission Impossible: Ghost Protocol is the best entry in the Mission Impossible franchise, and one of the best action movies in recent years. Not bad for first-time live-action director Brad Bird, though with his widely acclaimed previous work on animated features The Iron Giant, and Pixar’s The Incrediblesand Ratatouille, it’s not a huge surprise.—Michael Dunaway

 
14. Snatch
Year: 2000
Director: Guy Ritchie
Love or hate him, Guy Ritchie has redefined the gangster genre with his hyper-stylized touch. Snatch may be a lesser remix of Lock, Stock and Two Smoking Barrels, but it boasts a multifaceted plot, frenzied action and dazzling eye candy. And how can you not love characters with names like Franky Four Fingers, Bullet Tooth Tony and Doug the Head?—David Roark

 
13. Batman: Under The Red Hood (2010)
When a violent figure known as the Red Hood throws Gotham’s underworld into chaos, Batman must track down his connection to the late Jason Todd, who became Dick Grayson’s successor as Robin until being beaten to death by the Joker. The darkest and most intense of the DC animated films culminates with a three-way battle between Batman, the Red Hood and the Joker that evokesThe Good, The Bad and the Ugly in its conflict between three comparably-matched opponents, each of whom embodies a different moral worldview. It should go without saying that it, like Batman: Year One, is not even remotely for kids. Maybe you should steer them toward Batman: The Brave and the Bold instead.

 
12. Terminator 2: Judgement Day
Year: 1991
Director: James Cameron
That rare sequel that trumps its predecessor, James Cameron and co-writer William Wisher Jr. crafted a near-perfect action-movie script that flipped the original on its head and let Ahnold be a good guy. But it’s Linda Hamilton’s transformation from damsel-in-distress to bad-ass hero that makes the film so notable. Why should the guys get all the good action scenes? This may not be the best film on this list, but it’s the best sci-fi movie. It hits the target it’s aiming for squarely in the bullseye.

 
11. The Untouchables
Year: 1987
Director: Brian De Palma
Al Capone and Eliot Ness—the quintessential gangster and the original G-Man—lock horns during Prohibition in one of the greatest American cop movies ever made. The all-star cast is great, but it’s Sean Connery as Ness’s sidekick, Jim Malone, who elevates this film from standard shoot-em-up to high drama. Director Brian DePalma juxtaposes the stylized and slick with the violent and vulgar, and the contrast serves to heighten our awareness of each. The costumes are rich, the dialog is a pulp-writer’s dream, and the fact that Capone is brought down by the office nerd makes everyone feel great.—Joan Radell

 
10. Jackie Brown
Year: 1997
Director: Quentin Tarantino
Quentin Tarantino’s underappreciated gem Jackie Brown sees Pam Grier as the title character who shakes up the world of bail bondsman Max Cherry (Robert Forster). One of the most brilliant notes in both the main actors’ performances is the stillness that each brings to his character. But if the actors are part of the orchestra, so is the music.—Michael Dunaway

 
9. Dead Man
Year: 1995
Director: Jim Jarmusch
Jim Jarmusch directed this post-modern examination of the western film genre as American pop culture finally began to veer away from the expected western films. Jarmusch introduced a complete retrospection of a genre plagued with so many social follies. Depp’s somber, quiet character, William Blake, is reflective of the heroes of the Wild West’s past, but it’s his journey that makes this character stand apart.—Clint Alwahab

 
8. Top Gun
Aviator shades, fast airplanes and a touch of beach volleyball make up one of the best action films of the ’80s. This film has it all: Tom Cruise in a star-making role; an exhilarating soundtrack courtesy of Kenny Logins; character names like Iceman and Maverick; and finally, perhaps one of the greatest subversive plots in movie history. At the end of the day it is simply impossible to deny the need for speed that lies in all of us.—Brian Tremml

 
7. Kagemusha
Like Rashomon before it, Akira Kurosawa’sKagemusha proves the director is as much a master of story plotting as he is perfectionist over the smallest technical nuances in his films—though here, he’s painting on a far grander canvas. Not long after the peak of their relevance, George Lucas and Francis Ford Coppola helped secure financing for Kurosawa to finally film this extraordinary, sweeping epic, with both admitting to owing the filmmaker a huge debt as an influence. That alone is excuses an Ewok (and Jack) or two.—Scott Wold

 
6. Miller’s Crossing
Year: 1990
Directors: Joel and Ethan Coen
Like O Brother Where Art Thou a decade later,Miller’s Crossing is a terrible choice for those who prefer their Coen films a little less Coen-ish. It’s highly stylized, confusing and often ridiculous. But the parts that do work are glorious—Gabriel Byrne’s casual indolence, Albert Finney’s blustering menace, and most of all, John Turturro’s masterful painting of the spectacularly weaselly Bernie Bernbaum. “Look in your heart!”—Michael Dunaway

 
5. Reservoir Dogs
Year: 1992
Director: Quentin Tarantino
Reservoir Dogs’ debut at the 1992 Sundance Film Festival launched not only the career of one Quentin Tarantino but an American indie genre unto itself characterized by extreme violence, profane dialogue, nonlinear storytelling and a curated soundtrack. Many have tried, but none of his imitators has achieved the visual and aural poetry at work in Tarantino’s oeuvre, particularly his magnum opus Pulp Fiction, upon whose release in 1994 newly minted fans went back to discover the aftermath of Mr. Blonde, Mr. Blue, Mr. Brown, Mr. Orange, Mr. Pink and Mr. White’s botched diamond heist (but not the heist itself). This is where it all began.—Annlee Ellingson

 
4. Ghost Dog: The Way of the Samurai
Year: 2000
Director: Jim Jarmusch
After making Dead Man, a Western film about a meek Ohio accountant and a Native American warrior, indie auteur Jim Jarmusch blended Oriental philosophy with gangster reality in Ghost Dog: The Way of the Samurai. Forest Whitaker plays the title character, a hit man who adopts the code of the Hagakure, a training manual for 18th-Century would-be samurai.—Josh Jackson

 
3. Memento
Year: 2000
Director: Christopher Nolan
During a brutal attack in which he believes his wife was raped and murdered, insurance-fraud investigator Leonard Shelby (played with unequivocal intensity, frustration and panic by Guy Pearce) suffers head trauma so severe it leads to his inability to retain new memories for more than a few minutes. This device allows Nolan to brilliantly deconstruct traditional cinematic storytelling, toggling between chronological black-and-white vignettes and full-color five-minute segments that unfold in reverse order while Pearce frantically searches for his wife’s killer. The film is jarring, inventive and adventurous, and the payoff is every bit worth the mindbending descent into madness.—Steve LaBate

 
2. True Grit
Year: 2010
Directors: Ethan Coen, Joel Coen
In remaking one of the better cowboy films of the 1960s, the Coens have also taken on the genre’s biggest star—John Wayne, who played the irascible marshal Rooster Cogburn in the original ‘69 adaptation of Charles Portis’ straightforward and engaging novel. Casting, however, has never been a Coen weakness, and Jeff Bridges wholly embraces and reinvents the role for which Wayne received an Oscar. There’s a simplicity about the performances in True Grit that jives well with the rich landscapes and the authentically recreated, urban settings of nineteenth century Arkansas and the Indian Territory. That, and the genuine attire of the times, allows the Coens to create a world where the actors can play real characters, not caricatures of reality. It’s a talent that keeps begging the question, “What’s next?”—Tim Basham

 
1. Butch Cassidy and the Sundance Kid
Year: 1969
Director: George Roy Hill
Paired with Robert Redford, Paul Newman tore into his part as the folk outlaw Butch Cassidy and created an instant touchstone of the genre. That Newman lent his star to a film with criminal heroes was a revolutionary act for an actor of his stature at the time, and for that it’ll likely remain his best-remembered role.—Jeffrey Bloomer

關於Netflix即時25個最佳動作電影
由喬希·傑克遜
2013年2月18日|上午9:27
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關於Netflix即時25個最佳動作電影
Netflix即時的“動作和冒​​險”類包括像動作經典，動作喜劇，動作驚悚片，漫畫書和超級英雄，間諜動作與冒險和西部片其他風格。但主要的頁面只設有一個小型採樣，並且它可以通過類別是困難的航行。我們選擇了我們的最愛，使其只是有點容易找到的東西去與那大一碗爆米花和一晚免費。

退我們的完整列表在Netflix即時100最佳電影或細讀下面Netflix即時的25個最佳動作和冒險電影：

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25。黃飛鴻在墨西哥
羅伯特·羅德里格茲的最後的“殺手悲歌三部曲”的分期付款持有的票房紀錄，成為所有時間最完善第二續集，票房收入超過122％的亡命之徒。我們不禁屬性多，成功的向德普在屏幕上創建的鉚接性能。在2003年的採訪滾石德普說，他為金沙的角色，“他背後的想法是有這個傢伙我以前知道在好萊塢誰在外面很是迷人，說話輕聲細語的和他所用的節奏幾乎催眠說話。你知道這傢伙的目標是，你他媽的過，但不知何故，你身邊停留，因為他太迷人觀看。“，克里斯汀·布蘭頓

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24拳霸：泰拳戰士
長達十年的趨勢朝著更加突出線的工作和特效後，托尼·賈在2003年的泰國明星車型拳霸了一回瘋狂的特技（由賈本人所有執行）和強硬行動。擁有一個完全缺乏這兩種絲复和任何形式的CGI程序，拳霸是令人難以置信的令人印象深刻的觀看。這個故事是不是一個藉口橫跨泰國（曼谷雙方和鄉村）的瘋狂追逐序列和更加瘋狂的戰鬥絡繹不絕跋涉更小，但這部電影是如此毫無顧忌的是什麼，你不禁微笑辭職自己被吹走一些武術和肉體一般最令人印象深刻的顯示出來，在過去10年或so.-K. 亞歷山大·史密斯

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23，烏鴉
年份： 1994 導演：亞歷克斯·普羅亞斯 產卵三個片，哥特最愛原創演變成一個邪教的經典，其時尚攝影，華而不實的配樂和明星李國豪（李小龍之子）悲劇的幫助下，誰在生產過程中的最後幾天去世時，他被意外槍殺由裝載不當特技槍上的set.，範盈盈

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22 漢蘭達
年份： 1986 導演：拉塞爾馬爾卡希 邪教的最愛，漢蘭達催生了電視節目和幾個偶數campier續集，但是這第一部電影是所有你需要掌握的神話。可以有，畢竟，只有一個。克里斯托弗蘭伯特星作為地球上最後八仙之一，由受過訓練的肖恩·康納利和一個邪惡的rival. -喬希·傑克遜獵殺

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21。逃離惡魔島
克林特·伊斯特伍德扮演的銀行搶劫犯弗蘭克·莫里斯，誰是從其他幾個監獄已經有逃脫後送到惡魔島。莫里斯最終意識到一些在牢房的混凝土，可鑿了，所以他和其他一些囚犯，他結為好友開始小打小鬧用削尖的勺子。實際的逃生將有你在看雨衣在不同的light. -瑞安波爾特

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20 雷神
年份： 2011 導演：肯尼思·布拉納雷神是一個非常良好的執行超級英雄電影，提供老土的俏皮話和大量肌肉結合的英雄主義磨球迷的胃口。擁有從Marvel漫畫的宇宙所採取的字符，該電影由奧斯卡獎得主安東尼·霍普金斯和娜塔莉·波特曼，是由肯尼斯·布拉納（更通常與大吟遊詩人比聯與斯坦·李一人）執導。這個故事有戰士雷神（克里斯斯沃思）由他的父親奧丁（霍普金斯）地球從他的幻想阿斯加德之家放逐。這是令人驚訝識字，甚至尖銳的地方，但從來沒有失去它的舌頭在臉頰tone.喬納森·希克曼

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19，速8
年份： 2011 導演： JJ艾布拉姆斯 證明了明星的力量並不局限於那些在鏡頭前，史蒂芬·斯皮爾伯格和JJ艾布拉姆斯交付老派，主流，爆米花，科幻的一點點夏天的樂趣。這部電影是電影製作盡可能多的慶祝和-時代的來臨一個故事，因為它是一個動作外星人入侵輕彈。這感覺就像上世紀80年代（其設置的十年）的那些科幻電影。你知道，那些鄉親像斯皮爾伯格製作。

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18浪人
浪人擁有兩個令人印象深刻的壯舉：一些非常難忘的汽車追逐場面和在電影花樣滑冰狙擊謀殺的第一個已知的例子。現在，這是冰冷的......牽你的掌聲有請。羅伯特·德尼羅在間諜電影幾乎是一個很簡單的電影配方; 新增的事實，劇本是相當稱職和爆炸爆炸相當不錯，和羅寧迅速成為espionage. -達倫羊痘心愛的例子

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17蝙蝠俠：第一年（2011年），
弗蘭克·米勒的蝙蝠俠：年一 1987年部分靈感來自克里斯托弗·諾蘭的漫畫書故事情節蝙蝠俠通過展示布魯斯·韋恩是如何通過他的蝙蝠意象，發現了一個意想不到的盟友在未來專員戈登。在這裡，蝙蝠俠更扮演著一個配角戈登（“絕命毒的”布萊恩·克蘭斯頓）誰安裝了一個孤獨，塞爾皮科式打擊腐敗的高譚市警察部隊討伐。許多直流動畫電影的特點多餘暴力或髒話，以確保PG-13級，並吸引成年觀眾，但蝙蝠俠：第一年的嚴峻，迫使城市化腐寫照談到了它誠實。

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16 13刺客。
年份： 2011 導演：三池崇 我毫不猶豫地做出三池崇成長為一個藝術家的任何盛大的陳述，因為他總是移位和他的大部分照片沒有找到分佈在這裡，典型的例子他2011作品之一，是一定-要被可笑忍者亂太郎！。但13 Assasssins感覺就像一個更加成熟的電影製片人的工作，也許對三池崇新道路的起點，在其內容仍奔放，但更多的考慮了是什麼內容的話。這是一個三池崇薄膜，對於一次可以在沒有警告推薦，大膽地踩新天地還要考慮的是怎麼來之前並沒有拒絕的股票outright.，肖恩Gandert

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15碟中諜：幽靈協議
年份： 2011 導演：布拉德·伯德 在最後我們離開了不可能完成的任務部隊伊森·亨特（湯姆·克魯斯），他和他的新娘被提前退休的汽車追逐的自由生活疲憊地走了。但是，正如我們都知道，好萊塢警察和間諜決不允許留退休 ​​長。一場驚心動魄的片頭序幕，碟中諜：幽靈協議是在最好的入門碟中諜專營近年來最好的動作片之一，。不壞的首次真人導演布拉德·伯德，雖然與他廣受好評的以前的工作動畫功能鋼鐵巨人，和皮克斯的超人和料理鼠王，它不是一個巨大的驚喜- 邁克爾·達納韋

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14抓舉
年份： 2000 導演：蓋·里奇 愛還是恨他，蓋·里奇重新定義了黑幫風格與他的超程式化的觸摸。搶奪可能是一個較小的混音鎖，股票和兩桿大煙槍，但它擁有一個多方面的情節，瘋狂的動作和令人眼花繚亂的視覺效果。你怎麼能不愛與字符像永邦四指，子彈牙托尼和道格的頭？ -大衛·羅克的名字

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13蝙蝠俠：根據紅色敞篷（2010）
當一個暴力的數字被稱為紅色敞篷拋出高譚市的黑道陷入混亂，蝙蝠俠必須追查他連接到了晚期賈森·托德，誰成為迪克·格雷森的繼任者羅賓直到被毆打致死由小丑。最黑暗和最激烈的直流動畫電影的高潮與蝙蝠俠的紅色敞篷和喚起小丑之間的三方大戰的好，壞，醜在其三個同等旗鼓相當的對手，每個人都體現之間的衝突一個不同的道德世界觀。這應該不用說了，像蝙蝠俠：第一年，甚至不是遠程的孩子。也許你應該引導他們走向蝙蝠俠：勇敢和大膽代替。

12。終結者2：審判日
年份： 1991 導演：詹姆斯·卡梅隆 那是勝過它的前身，詹姆斯·卡梅隆和聯合作家威廉瑋淇小罕見的續集製作的翻轉原來在它的頭一個近乎完美的動作電影劇本，並讓Ahnold是個不錯的傢伙。但它的琳達·漢密爾頓的轉型從少女-在遇險壞屁股英雄，使得這部電影如此顯著。為什麼球員得到所有的好動作場面？這可能不是這個名單上的最好的電影，但它是最好的科幻電影。它擊中它瞄準正視在靶心的目標。

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11鐵面無私
年份： 1987 導演：布萊恩·德·帕爾瑪 鋁卡波恩和艾略特內斯-典型的黑幫，並禁止在原來的G-文鎖喇叭在有史以來最偉大的美國警察的電影之一。全明星陣容是偉大的，但它的肖恩·康納利為內斯的夥伴，吉姆·馬龍，誰從標準的射擊em高達極富戲劇性提升這部電影。導演布賴恩·德帕爾馬並列的程式化和油滑的暴力和粗俗，對比度的作用是提高我們的每一個意識。服飾豐富，對話是紙漿作家的夢想，那卡波恩是由辦公室書呆子擊落的事實，使每個人都感到great. -瓊Radell

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10杰姬布朗
年份： 1997 導演：昆汀·塔倫蒂諾 昆汀·塔倫蒂諾的懷才不遇寶石成龍布朗認為帕姆格里爾作為誰動搖了的保釋擔保人最大櫻桃（羅伯特·福斯特）是世界上標題字符。其中最輝煌的音符在這兩個主要演員的表演是寂靜，每個帶給他的性格。但是，如果演員都是樂團的一部分，因此是music. -邁克爾·達納韋

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9死人
年份： 1995 導演：吉姆·賈木許 吉姆·賈木許執導的西部類型片的這種後現代的考試作為美國流行文化終於開始轉向遠離預期的西方電影。賈木許介紹困擾著這麼多的社會愚蠢的一個流派的一個完整的回顧。德普的陰鬱，安靜的性格，威廉·布萊克，是反射式的狂野西部的過去的英雄，但是這是他的旅程，讓這個人物站在apart.-克林特Alwahab

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8，壯志凌雲
飛行員色調，飛機速度快和觸摸沙灘排球彌補80年代的最佳動作片之一。這部影片已說明了一切：湯姆·克魯斯在一個造星的作用; 一個令人振奮的配樂禮貌肯尼登錄的; 像冰人和特立獨行的性格名稱; 最後，也許是最偉大的顛覆陰謀的一個電影史上。在這一天結束，這是根本不可能否認對速度的需求是在於所有的US. -布賴恩Tremml

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7，影武者
像羅生門之前，黑澤明的影武者證明導演是盡可能多的故事繪製的大師，因為他是完美主義者了在他的電影，但在這裡，他的畫在遠宏大的畫布上最小的技術上的差別。其相關的峰值後不久，喬治·盧卡斯和弗朗西斯·福特·科波拉幫助安全的融資黑澤明終於拍這個非同尋常的，掃地的史詩，既要承認，由於該電影製片人的巨大債務的影響。這僅僅是一個藉口伊渥克（和傑克）或two. -斯科特沃爾德

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6，米勒的隧道
年份： 1990 董事：喬爾和伊桑科恩 像Ø兄弟你在哪兒十年後，米勒的隧道是為那些誰喜歡他們的科恩電影少科恩十歲上下的一個可怕的選擇。它是高度程式化的，混亂的，往往是可笑的。但做的工作部分是光榮的，加布里埃爾·伯恩的休閒懶散，阿爾伯特·芬尼的blustering威脅，而且最重要的是，約翰·特托羅的高超的壯觀weaselly伯尼Bernbaum的畫。“看在你的心臟！” -邁克爾·達納韋

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5落水狗。
年份： 1992 導演：昆汀·塔倫蒂諾落水狗 “首次亮相在1992年的聖丹斯電影節推出的一個昆汀·塔倫蒂諾不僅是職業生涯，但在美國獨立流派本身就是特點是極端的暴力，褻瀆的對話，非線性敘事和策劃的配樂。許多人嘗試過，但沒有他的模仿者已經實現了視覺和聽覺的詩歌在工作中塔倫蒂諾的作品，尤其是他的巨著低俗小說，在其發布於1994年新崛起的球迷又回到了發現金發先生，先生的後遺症藍色，布朗先生，橙先生，粉紅先生和懷特先生的拙劣鑽石搶劫案（但不是搶劫本身）。這是一切began.-Annlee伊林森

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4，幽靈狗：武士之路
年份： 2000 導演：吉姆·賈木許 做後死的人，大約一個溫順俄亥俄州會計師和美國原住民戰士一個西方電影，獨立導演吉姆·賈木許混紡東方哲學與歹徒現實幽靈狗：武士之路。福里斯特·惠特克扮演標題人物，一個殺手誰採用Hagakure，為18世紀想成為samurai. -喬希·傑克遜的培訓手冊的代碼

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3遺物。
年份： 2000 導演：克里斯托弗·諾蘭 在殘酷的攻擊中，他相信他的妻子被強姦和謀殺，保險欺詐調查員倫納德·謝爾比（演奏與明確的強度，沮喪和恐慌由蓋·皮爾斯）遭受頭部創傷如此嚴重，它導致他無法保留新記憶時間超過幾分鐘。該器件允許諾蘭出色解構傳統的電影故事，年代黑色和白色的小插圖和全彩色的五分鐘的片斷，展現在相反的順序之間切換，而皮爾斯瘋狂地搜尋他妻子的兇手。這部電影是不和諧的，創造性的和冒險的，而回報是每一位值得mindbending墮入madness. -史蒂夫LaBate

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2真砂。
年份： 2010 董事：伊桑科恩，喬爾·科恩 在重塑上世紀60年代的更好牛仔的電影之一，柯恩兄弟也採取了對體裁的最大的明星，約翰·韋恩，誰發揮的暴躁元帥金雞Cogburn原'69適應查爾斯·波蒂斯“簡單的和引人入勝的小說。鑄造，但是，從來沒有一個科恩的弱點，和傑夫·布里吉斯完全擁抱和重塑為其韋恩獲得了奧斯卡獎的角色。有一個關於與豐富的景觀和十九世紀阿肯色州和印度領土的真實重現，城市環境jives井真砂性能的簡單性。也就是說，和時代的真正裝束，讓柯恩兄弟創造一個世界裡，演員能發揮真正的人物，不是現實的漫畫。這是一個人才，不斷乞討的問題，“下一步是什麼？”添巴沙姆

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1神槍手與智多星
年份： 1969 導演：喬治·羅伊·希爾 搭配羅伯特·雷德福，保羅·紐曼撕毀了他的一部分，民間禁止神槍手與創造的曲風瞬間試金石。紐曼借給他的明星與犯罪英雄電影在當時是革命性的舉動為他的身材的演員，和它很可能會保持他最記得role.-杰弗裡紕漏