Sometimes, at the end of a long day, you just need to laugh. And while there are a handful of quality sitcoms on the air right now, they rarely match the joys of a fully developed comedic film. The movies on this list range from romantic comedies to goofy slapstick to dramedies that soak their melancholy in laughter. But all are listed under “Comedy” according to Netflix’s genre descriptions and are currently available on Netflix Instant (as of January 2013—we’ll continue to update as the selection changes). For a more varied list, check out our list of the 50 Best Movies on Netflix Instant.

20. Sleepwalk With Me
Year: 2012
Director: Mike Birbiglia
Charlie Chaplin once said, “To truly laugh, you must be able to take your pain and play with it.” Mike Birbiglia takes the pain of a struggling comic, an unsure boyfriend and a scared sleep-disorder patient, and plays with these mounting problems for our amusement. Not many sleep-disorder stories—even those first shared with Ira Glass on This American Life—have ever been as funny as Birbiglia’s.—Monica Castillo

 
19. Meet the Parents
Year: 2000
Director: Jay Roach
Robert DeNiro’s comedy chops are unquestionable at this point, partly thanks to his role as the over-protective father who brings out the absolute worst in his son-in-law to be, male nurse Gaylord Focker. Plenty of laugh-out-loud moments make this slapstick comedy of errors a fun, popcorn movie night.—Josh Jackson

 
18. The Trip
Year: 2011
Director: Michael Winterbottom
Two British actor/comedians playing versions of themselves travel the beautiful and bleak north England countryside, stopping to eat at various upscale restaurants, but mostly just talking. And talking and talking. And doing impressions of Michael Caine, Woody Allen, and Liam Neeson, as well as British personalities an American audience might not recognize. But mostly just talking, with overlapping affection and competition. Sound like a good idea for a film? It absolutely is.—Jonah Flicker

17. Clueless
Year: 1995
Director: Amy Heckerling
A combination of comedy, romance and high-school spunk, Clueless is a story with true ’90s flair. Alicia Silverstone stars as the pretty and popular Cher, a privileged valley girl with a penchant for matchmaking. While she cruises potential boyfriends for her girlfriends, she struggles to figure out her relationships. The film is a charming, modern take on Jane Austen’s 1815 novel Emma, and with performances by a youthful Paul Rudd and Brittany Murphy, it’s anything but an airhead. Could we love this film anymore? As if!—Megan Farokhmanesh

 
16. Metropolitan
Year: 1990
Director: Whit Stillman
There have been nearly as many “next Woody Allens” in film as there have been “next Michael Jordans” in basketball or “next Bob Dylans” in music, but sometimes the moniker fits. In Whit Stillman’s debut, he staked his claim as the Woody of the upper-class WASPy NYC set and won a whole army of loyal followers. For good reason, too—seldom has any director, regardless of experience, so deftly juggled dialogue that could so easily have delved into too-clever-by-half-isms, or trained such a sympathetic eye on a sometimes questionable nostalgia for the end of an age. Most of all, though, seeing Metropolitan just makes you feel smart and witty and somehow elevated. Not bad for the price of a movie ticket.—Michael Dunaway

15. Harold and Maude
Year: 1971
Director: Hal Ashby
I guess you could categorize this as a romantic comedy. Teenaged Harold (Bud Cort) and 79-year-old Maude (Ruth Gordon) do find love. And it is darkly funny. But Hal Ahsby’s masterpiece is unlike anything we’ve seen before or since its 1971 release.—Josh Jackson

 
14. Barton Fink
Year: 1991
Director: Joel Coen
While hung up with the intricate plotting of Miller’s Crossing, The Coen Brothers took a break to write a script about a blocked screenwriter (Jon Turturro). Reminiscent of Stanley Kubrick and David Lynch at their most darkly satiric, Barton Fink depicts a self-important New York playwright who struggles to write a Hollywood wrestling picture while residing in a rotting hotel. A jaundiced metaphor for the compromised creative process of show business, Barton Fink delivers the deadpan comedy and quirky performances of the Coen’s trademark, including Oscar nominee Michael Lerner as a bombastic studio chief, John Mahoney as a boozing, Faulkner-esque novel, and John Goodman as a cheerful salesman with a dark secret. Audiences can obsess over the meaning of lines like Goodman’s “I’ll show you the life of the mind!” but any answers the film holds are unlikely to be reassuring.—Curt Holman

13. This is Spinal Tap
Year: 1984
Director: Rob Reiner
This is satire at its best, as “the world’s loudest band” tours the country with outrageous songs, even more outrageous leather pants, and amps that go just a little bit higher. Christopher Guest plays the misguided lead guitarist, Nigel Tufnel, and his biting comedic timing carries the film. It’s a must-see for music fans of any genre.—Caroline Klibanoff

 
12. In the Loop
Year: 2009
Director: Armando Iannucci
If clever verbal humor were easy, we’d have more comedies like In the Loop. But it’s not, and this one stands in a class of its own. It’s the most quotable film of the decade—by miles—and the cynical potty mouths on screen are so articulate and creative that, after the avalanche of witticisms, you’re left with the lingering sense that you’ve seen not just a funny movie but also a wicked political satire of the highest order, the kind where the absurdity speaks for itself.—Robert Davis

 
11. Dr. Horrible’s Sing Along Blog
Year: 2008
Director: Joss Whedon
Written during the 2007-2008 Writers Guild of America strike, Joss Whedon’s NPH-starring sinister musical series was one of the first to have success online. The serial/movie follows Dr. Horrible as he struggles to balance his life as an evil genius with his love life. His crush is the lovable Felicia Day, and his nemesis, Captain Hammer, is played by Nathan Fillion.—Riley Ubben

Sometimes, at the end of a long day, you just need to laugh. And while there are a handful of quality sitcoms on the air right now, they rarely match the joys of a fully developed comedic film. The movies on this list range from romantic comedies to goofy slapstick to dramedies that soak their melancholy in laughter. But all are listed under “Comedy” according to Netflix’s genre descriptions and are currently available on Netflix Instant (as of January 2013—we’ll continue to update as the selection changes). For a more varied list, check out our list of the 50 Best Movies on Netflix Instant.

 
10. Lars and the Real Girl
Year: 2007
Director: Craig Gillespie
Lars and the Real Girl’s premise should have been cringe-worthy: Ryan Gosling dates a life-size sex doll, and the entire town goes to great lengths to protect the fairy tale. But Nancy Oliver’s Oscar-nominated script is so gentle, and so melancholic, that it becomes a quietly powerful story of a stunted man who finally comes of age. Darkly funny but sweet-natured, Lars is a small treasure.

 
9. Groundhog Day
Year: 1993
Director: Harold Ramis
Bill Murray, director/co-writer Harold Ramis and screenwriter Danny Rubin take a “Twilight Zone”-esque comedic premis—a self-centered weatherman gets stuck experiencing February 2 again and again—and find unexpected profundity. A more conventional film would have love resolve the chronological predicament, but instead, it falls to Murray to become the best man he can possibly be. A Hollywood comedy that challenges middle-class Americans to better themselves, Groundhog Daydoesn’t just elicit laughs, but leaves audiences more deeply moved than they ever expected. It’s also inspired some obsessive fans, including one fellow who calculated, down to the day, the number of decades Murray spent in February 2.—Curt Holman

 
8. A Fish Called Wanda
Year: 1988
Director: Charles Crichton
This ensemble piece shows what can happen when four skilled comic actors (John Cleese, fellow Monty Python alum Michael Palin, Kevin Kline and Jamie Lee Curtis) are given a script (written by Cleese) that puts them all on equal footing. The result is a tour-de-force of crisply delivered, character-driven comedy that, while tough on old ladies, fish and terriers, continues to reward new and returning viewers. (The film also broke through the Academy’s normal bias against comedies, winning Kevin Kline a richly deserved Best Supporting Actor for his role as Otto.)—Michael Burgin

 
7. The Gold Rush
Year: 1925
Director: Charlie Chaplin
Alongside City Lights, The Gold Rush remains Charlie Chaplin’s pinnacle as a filmmaker and actor. He agreed, calling it a personal favorite amongst his immense body of work. With stunning set pieces and memorable scenes, including the famous roll dance and shoe-eating dinner, the film provides one of the earliest and profoundest examples of dramedy in cinema. In quintessential Chaplin fashion, it weaves together slapstick and melancholy, generating both laughs and cries for the lonely yet hilarious Little Tramp.—David Roark

 
6. Lost in Translation
Year: 2003
Director: Sofia Coppola
Fueled by Bill Murray’s impeccable performance, Sofia Coppola delivered a picture of sublime nuance for her sophomore effort. The physical and emotional unavailability of spouses, words left unspoken, life’s missing purpose, an affair devoid of sex—absence is the looming presence here, and Coppola perfectly captured the ineffable human conditions of dislocation and ennui. Lost in Translation is a testament to the power of a raised eyebrow, a gentle touch and a parting whisper.—Tim Regan-Porter

 
5. Eternal Sunshine of the Spotless Mind
Year: 2004
Director: Michel Gondry
Michel Gondry’s debut feature, Human Nature, was a whimsical dud, but his follow-up suggested a mature, disciplined director with his playful side intact. Eternal Sunshine of the Spotless Mindtraffics in his signature sleights of hand, which serve two touching and tragic love stories: between red-haired Kate Winslet and a supremely sad Jim Carrey, and between headstrong Kirsten Dunst and a pining Mark Ruffalo. All of their performances—including Gondry’s—stay in your memory long after the credits have rolled.—Stephen Deusner

 
4. Planes, Trains and Automobiles
Year: 1987
Director: John Hughes
Anyone who’s ever endured holiday traffic on their way home for Thanksgiving can relate to this John Hughes tale—although hopefully you’ve never had to endure the sheer number of transportation mishaps (not to mention some accidental spooning) Steve Martin and John Candy go through.—Bonnie Stiernberg

 
3. Bottle Rocket
Year: 1996
Director: Wes Anderson
Bottle Rocket introduced us both to the singular world of Wes Anderson and the unique charm of the Wilson brothers. All of his films have their critics, but we’ll go ahead and say that the director not only gave us a new kind of humor, but a new kind of joy in the stylistic quirks that have little changed seven movies later. Most adults who’ve forgotten to grow up are either repulsive in their adolescent behavior or the butt of the joke, but Dignan retains that boyish likability for all his crazy scheming.—Josh Jackson

 
2. Manhattan
Year: 1979
Director: Woody Allen
Gorgeously shot in black-and-white and set against a backdrop of Gershwin’s “Rhapsody in Blue,” Allen’s ode to the city that never sleeps is a profound meditation on love and loss. Allen, Diane Keaton and Michael Murphy play jaded, self-absorbed adults who over-think and over-analyze every aspect of life. Mariel Hemingway beautifully plays Tracy, the young girl in love with Allen and the only character who is honest about her feelings, the only one with the capacity to love whole-heartedly. The other characters are too delicate, too bruised, and too cynical. When Tracy tells him “you have to have a little faith in people” in the film’s touching final scene, our hearts melt a little—love may be fragile and fleeting, but it’s worth the risk every time. Romantic, witty and bittersweet, Manhattan is impeccably crafted, and stands tallest among Allen’s multitude of towering achievements.—Jeremy Medina

 
1. Raising Arizona
Year: 1987
Director: Joel Coen
Understated dramatic performances are all well and good, but it takes pinpoint control on behalf of both directors and cast to deliver the sustainedoverstated performances found throughout Raising Arizona. From its opening courtship sequence to the struggles of H.I. (Nicholas Cage) and Ed (Holly Hunter) to form a family by borrowing an “extra” from another to the final battle with the Lone Biker of the Apocalypse, the Coen brothers’ film remains an immensely beguiling and quotable farcical fable.—Michael Burgin

在Netflix即時20最佳喜劇電影
由喬希·傑克遜
2012年11月6日|上午8:30
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有時候，在漫長的一天結束時，你只需要笑。雖然也有極少數的對空氣質量的情景喜劇，現在，他們很少匹配一個充分發展的喜劇電影的樂趣。此列表範圍內的浪漫喜劇電影，以愚蠢的鬧劇到浸泡憂鬱的笑聲dramedies。但都列在“喜劇”，根據Netflix的風格描述和目前已經上市的Netflix即時（如一月2013 -我們將繼續更新作為選擇的變化）。如需更多樣化的列表，請參閱我們的名單上的Netflix即時50最佳電影。

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20，稀里糊塗地與我
年份： 2012 導演：邁克Birbiglia “。要真正笑，你必須能夠把你的痛苦，並用它玩”查理·卓別林曾經說過，邁克Birbiglia需要一個艱難的漫畫，一個不自信的男友的痛苦和一個害怕睡眠障礙的患者，並與我們的娛樂這些安裝問題發揮。沒有多少睡眠障礙的故事，即使是那些先用艾拉玻璃上美國的這一共同生活，曾經去過的有趣，因為Birbiglia's.- 莫妮卡·卡斯蒂略

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19拜見父母
年份： 2000 導演：傑伊·羅奇 羅伯特·德尼羅的喜劇天分是不容置疑的，在這一點上，這要部分歸功於他的過度保護的父親角色誰帶來了最壞的兒子，女婿是男護士蓋洛德Focker。很多笑出大聲的時刻做出錯誤的這種鬧劇一種樂趣，爆米花電影night.，約什-傑克遜

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18，旅行
年份： 2011 導演：邁克爾·溫特伯頓 的兩個英國演員/喜劇演員扮演自己的旅行版本美麗淒涼的英格蘭北部的鄉村，停吃各種高檔餐廳，但大多只是說。並不停的說。和做邁克爾·凱恩，伍迪艾倫和利亞姆·尼森的印象，以及英國名人的美國觀眾可能無法識別。但大多只是說，重疊的感情和競爭。聽起來像一個電影是一個好主意？這絕對is.約拿閃爍

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17，懵懵懂懂
年份： 1995年導演：艾米Heckerling 喜劇，浪漫和高中勇氣的結合，懵懵懂懂是真正的20世紀90年代風格的故事。艾麗西亞銀石賽道飾演的漂亮，受歡迎的雪兒，優越的山谷女孩與一個愛好牽線搭橋。雖然她遊覽潛在男友對她的女朋友，她掙扎著找出她的關係。本片是一部迷人，現代手法簡·奧斯汀的小說1815艾瑪，並與表演青春保羅·魯德和布列塔尼墨菲，這是什麼，但一個沒頭腦。難道我們愛這個電影了嗎？好像！-Megan Farokhmanesh

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16大都會
年份： 1990 導演：白衣斯蒂爾曼 有電影已經幾乎同樣多的“下一個伍迪艾倫兄弟”，因為在籃球或“下一個鮑勃Dylans”的音樂已經“下一個邁克爾·喬丹”，但有時綽號適合。在聖靈降臨節斯蒂爾曼的處女作，他押上了自己的要求，因為上流WASPy紐約集的伍迪，贏得了忠實的追隨者組成的軍隊。有很好的理由，太很少有公司任何董事，不論經驗，所以巧妙地玩弄對話，可以這麼輕易地鑽研太聰明按半主義，或受過訓練的這種同情的眼睛上，有時可疑的懷舊結束的時代。最重要的是，雖然，看到大都會只是讓你覺得自己聰明和機智，不管怎樣升高。不壞的電影ticket. -邁克爾·達納韋價格

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15，哈羅德和莫德
年份： 1971年導演：哈爾比 我想你可以這樣歸類為浪漫喜劇。十幾歲的哈羅德（芽科特）和79歲的莫德（露絲·戈登）做尋找愛情。它是黑暗搞笑。但是，哈爾Ahsby的傑作，是完全不同於我們之前或之後的1971年release.，約什-傑克遜見過

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14，巴頓芬克
年份： 1991 導演：喬爾·科恩 雖然掛了錯綜複雜的陰謀米勒的隧道，科恩兄弟花了休息時間，寫一本關於阻塞編劇（喬恩·特托羅）腳本。讓人聯想到斯坦利·庫布里克和大衛·林奇在其最黑暗的諷刺，巴頓芬克描繪了一個妄自尊大的紐約劇作家誰的鬥爭，以寫一個好萊塢的摔跤畫面居住在腐爛的酒店，而。偏見的比喻為演藝事業的損害創作過程中，巴頓芬克提供了面無表情喜劇和科恩的商標古怪的表演，其中包括獲得奧斯卡提名的邁克爾·勒納的誇誇其談工作室主任，約翰·馬奧尼的豪飲，福克納式的小說，和約翰古德曼作為一個歡快的推銷員與一個黑暗的秘密。觀眾可以纏住了一樣Goodman的線的意思是“我會告訴你的心靈的生活！”，但這部電影擁有任何答案不可能是reassuring.，柯特·霍爾曼

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13，這是脊椎穿剌
年份： 1984 導演：羅布賴納 這是諷刺處於最佳狀態，為“世界上最響亮的樂隊”旅遊與蠻橫的歌曲在全國，甚至更離譜的皮褲，和放大器，去只是一點點高。克里斯托弗客人起著誤導主音吉他手，奈傑爾Tufnel，他咬喜劇時機進行電影。這是一個必須看到的任何genre.-卡羅琳Klibanoff樂迷

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12，在河套
年份： 2009 導演：阿曼多Iannucci 如果聰明的言語幽默很容易，我們希望有更多的像喜劇片在循環。但它不是，而這一次代表的一類自身。這是最新書電影十年用英里，並在屏幕上玩世不恭的便盆口是那麼善於表達和創造性的，俏皮話的雪崩之後，你留下了揮之不去的感覺，你已經看到不只是一個搞笑電影而且最高階的邪惡的政治諷刺，那種地方的荒誕不言itself.，羅伯特·戴維斯

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11博士可怕的跟著唱博客
年份： 2008 導演：喬斯溫登 在美國罷工2007-2008作家協會寫的，喬斯溫登的NPH主演的險惡音樂系列是第一個在網上有成功之一。串行/影片如下博士可怕的，因為他的鬥爭，以自己的生命平衡，正如邪惡的天才，他的愛情生活。他暗戀的可愛費利西亞日，他的剋星，船長錘，是由Nathan Fillion. -萊利Ubben起

有時候，在漫長的一天結束時，你只需要笑。雖然也有極少數的對空氣質量的情景喜劇，現在，他們很少匹配一個充分發展的喜劇電影的樂趣。此列表範圍內的浪漫喜劇電影，以愚蠢的鬧劇到浸泡憂鬱的笑聲dramedies。但都列在“喜劇”，根據Netflix的風格描述和目前已經上市的Netflix即時（如一月2013 -我們將繼續更新作為選擇的變化）。如需更多樣化的列表，請參閱我們的名單上的Netflix即時50最佳電影。

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10拉爾斯和真實女孩
年份： 2007 導演：克雷格·吉萊斯皮拉爾斯和真實女孩的前提應該是畏縮，值得：瑞恩·高斯林約會一個真人大小的充氣娃娃，和整個鎮竭盡全力保護童話。但南希奧利弗的奧斯卡獎提名的劇本是那麼的溫柔，所以憂鬱的，它變成一個矮小的男人誰最終來歲的靜靜的震撼人心的故事。猜謎滑稽，但甜蜜的脾氣，拉斯是一個小寶藏。

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9土撥鼠日
年份： 1993年導演：哈羅德·米斯 比爾·默里，主任/聯合作家哈羅德·米斯和編劇丹尼·魯賓採取“陰陽魔界”-esque喜劇PREMIS，以自我為中心氣象卡住一次再次-經歷2月2日並找到意想不到的深刻性。更傳統的電影會有愛化解年代的困境，但相反，它屬於穆雷成為最好的人，他 ​​都不可能。一位好萊塢的喜劇，挑戰美國中產階級上進，土撥鼠節不只是引發笑，但觀眾留下更深刻地感動比以往任何時候的預期。它也激發了一些球迷迷戀，其中一個傢伙誰計算，下至一天，數十年穆雷在2月2日，柯特·霍爾曼花

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8，叫旺達的魚
年 ​​份： 1988 導演：查爾斯·克萊頓 此合奏作品顯示了4技能的相聲演員（約翰·克里斯，老鄉巨蟒明礬邁克爾·佩林，凱文·克萊恩和傑米·李·柯蒂斯）給出一個腳本（寫會發生什麼克里斯），這使他們都一視同仁。其結果是乾脆地交付，字符驅動的喜劇之旅，脫力，雖然硬朗的老太太，魚和獵犬，繼續新的獎勵和返回觀眾。（該片還突破了學院的對抗喜劇正常的偏見，贏得凱文·克萊恩一個豐富當之無愧的最佳男配角，他作為奧托的作用。） -邁克爾•布爾金

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7，淘金
年份： 1925 導演：查理·卓別林 除了城市之光，淘金仍然是查理·卓別林的巔峰之作的導演和演員。他同意，稱這是一個個人的喜愛在他的巨大的工作機構。與驚人的定位球和令人難忘的場面，其中包括著名的側傾舞蹈鞋，吃飯，電影提供了dramedy的電影最早和深刻的例子之一。在典型的卓別林時尚，它交織在一起打鬧而憂鬱，產生兩個笑和哭的孤獨又熱鬧的小Tramp.，大衛·洛克

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6迷失東京
年份： 2003 導演：索菲亞·科波拉 由比爾·穆雷的表現無可挑剔的推動下，索菲亞·科波拉交付崇高的細微差別的圖像，她大二的努力。配偶的身體和情緒無法獲得，也就是說離開潛，人生的缺失宗旨，外遇缺乏性缺失是若隱若現的光臨，和科波拉完美捕捉混亂和無聊。的不可言喻的人類狀況迷失東京是證明了揚揚眉毛，一個溫柔的觸摸和離別whisper.添裡根-波特的力量

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美麗心靈的永恆5陽光
年份： 2004 導演：米歇爾·岡瑞 米歇爾·岡瑞的處女作，人性，是一個異想天開的啞彈，但他跟進提出了一個成熟的，有紀律的導演，他俏皮的一面完好無損。一塵不染的永恆陽光心靈販賣他的簽名sleights手，這有兩個感人的悲劇愛情故事：與紅頭髮的凱特·溫斯萊特和一個超級悲傷的金凱瑞，任性柯爾斯滕·鄧斯特和思念麥克路化奴之間。他們所有的演出，包括Gondry's，留在你的記憶很久以後的學分都rolled.，斯蒂芬Deusner

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4，飛機，火車和汽車
年度：1987 導演：約翰·休斯 任何人誰是有史以來經歷趕路回家過感恩節假期的交通可以涉及到這個約翰·休斯的故事，但希望你從來沒有忍受運輸事故的絕對數量（何況有些意外的勺子），史蒂夫·馬丁和約翰糖果去through.，邦妮Stiernberg

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3瓶火箭
年份： 1996年導演：韋斯·安德森瓶火箭向我們介紹既韋斯·安德森和威爾遜兄弟的獨特魅力的奇異世界。他所有的電影都有他們的批評，但我們會繼續前進，說，導演不僅給了我們一種新的幽默，但在已經變化不大7電影後，文體怪癖一種新的喜悅。誰忘記了長大大多數成年人在他們的青少年行為或笑話的笑柄無論是令人厭惡的，但迪格南保留著孩子氣的好感度為他的瘋狂scheming.，約什-傑克遜

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2，曼哈頓
年份： 1979年導演：伍迪•艾倫 打出華麗的黑色和白色，並設置對格甚溫的背景下“藍色狂想曲”，艾倫的頌歌是不夜城是愛與失去了深刻的冥想。艾倫，黛安·基頓和邁克爾·墨菲扮演厭倦，自行吸收成年人誰在思考和過度分析生活的各個方面。瑪利爾海明威精美飾演翠翠，年輕的女孩愛上了阿倫，誰是誠實的關於她的感情只字，只有一個愛全情投入的能力。其他人物都太精緻，太傷痕累累，太憤世嫉俗。當麥蒂告訴他“你得有一點信心的人”，在影 ​​片的感人最後一幕，我們的心融化了一點，愛情可能是脆弱的，短暫的，但它的每一次值得冒險。浪漫，詼諧，酸甜苦辣，曼哈頓是無可挑剔的製作，並表示最高的之一艾倫的眾多高聳的achievements.，傑里米·梅迪納

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1，撫養亞利桑那
年份： 1987 導演：喬爾·科恩 低調的戲劇表演都很好，但它需要代表雙方董事會的精確定位控制，並投以提供持續高估發現整個演出撫養亞利桑那。從開幕求愛序列喜（尼古拉斯·凱奇）和埃德（霍利亨特）的鬥爭，借用一個“額外”從另一個與孤騎自行車的啟示，科恩兄弟的電影的遺體最後的戰鬥組成一個家庭一個非常誘人的和可引用的鬧劇fable.邁克爾•布爾金